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Miles needed a drummer, and having heard Colin with Victor, he called him to fill in for a couple of nights until they could sneak Tony in. In 1967, Colin started a twelve year studio career in L. In 1983 Colin joined the Richie Cole group Alto Madness, travelled to Japan and Europe, and toured the U. It was tough because he was still doing the teaching job as well.“That,” says Colin, “was one of the thrills of my life.”In 1964-65 Colin was a member of Terry Gibbs’s six piece band on The Regis Philbin T. He also played with Carl Fontana, Eddie ‘Lockjaw’ Davis, James Moody, Pepper Adams, and others during that period.Then you'll be able to browse through the 1000's of local sex personals near Moscow and get connected with like-minded people who share the same, or similar sexual interests or fetishes you may have through hot sex chat, and live erotic one on one webcams.Unlike some other online adult dating services who restrict you to a quick browse, we've designed a number of features to help you break the ice when you've found your ultimate fuck buddy.
He was so gracious, showing me the George Lawrence Stone finger control technique. I put in many hours every day trying to get it down, (I am still practicing mastering it! I had a lot more control with volume, and could play quietly with intensity, something that is tough for a lot of drummers. During this period, the trio played with such jazz greats as Ben Webster, Jimmy Witherspoon, and Gene Ammons. In January of 1963, he got a call from Victor Feldman who asked if he would be interested in going to Los Angeles to play a steady gig with his trio. The exposure of playing with Victor was tremendous.During this period, he worked and recorded with the Concord Records artists Howard Alden, Frank Vignola, Jimmy Bruno, and Stef Scaggiari.In 1989 Joe Pass started up the Quartet that recorded For Django again. As Colin says “It was a bonus in life to have had that time playing with Joe and the group again.”Colin has toured extensively in the U. A., Japan, Europe, South America and Canada, with Benny Goodman, George Shearing, Richie Cole, Vic Damone, Ernestine Anderson, Al Hirt, Doc Severinsen, Carol Sloane, Susannah Mc Corkle and Joe Pass. Bain earned his place as the number one guitarist for many Hollywood studios in the 1950s and 60s.Using the same personnel (Clare, Albert and Colin) the album Catch Me was recorded. and on the road was extensive, playing and recording with, among others: Joe Pass, Victor Feldman, Joe Williams, Benny Goodman, George Shearing, Chet Baker, Hampton Hawes, Jim Hall, Red Mitchell, Roger Kellaway, Phil Woods, Pete Jolly, Ray Brown, Tommy Flanagan, Terry Gibbs, Buddy De Franco, Jimmy Rowles, Barney Kessel, Herb Ellis, Joao Gilberto, Peggy Lee, Tony Bennett, Coleman Hawkins, Gerry Mulligan, Michel Legrand, Dave Grusin, Harry ‘Sweets’ Edison, Clare Fischer, and Blossom Dearie. sound tracks that include: Emmy Awards, Fred Astaire Easter Show, Julie Andrews Show, Merv Griffin, and The Charlie Brown Christmas and A Boy Named Charlie Brown (Linus and Lucy specials with Vince Guaraldi.) He subbed for Ed Shaughnessy on the Tonight Show with Johnny Carson for six years, and the Carol Burnett Show. shows he played for every kind of music, from Beverly Sills (Opera) to James Brown.This was the start of a life long friendship between Colin & Joe. That same kind of friendship happened with The Victor Feldman Trio's Victor and Monty Budwig (the great bass player) and Colin. In September of 1963, Colin was called to sub for Tony Williams in the new Miles Davis Quintet. Miles had spent several nights at The Scene (the club that Colin was playing in with Victor Feldman) because he wanted Victor to be the piano player in his new band. There were more jazz greats to play for on various shows: Cannonball Adderly, Errol Garner, Lionel Hampton, Carmen Mc Rae, and Mel Torme. In 1979 Colin moved to Dallas to work in the jingle scene that was thriving there at that time.